We have gotten two packages of the highest import in the last week. The first was a small FedEx box which we came home to find on our doorstep on Wednesday the 27th of February. We didn't see it through the gate, but once we turned the corner, we saw immediately what felicity was now ours. Indeed, we felt like documenting the moment, so I unlocked the door and Anne got our camera and took pictures of the box from many angles, then I took pictures of Anne walking into the house with the box, opening the box, and finally removing its contents: a pizza from a Brooklyn pizzeria, frozen and so full of delicious that it cost nothing to ship. It was packaged inside of a plastic bag, with four rows between wax paper, two slices per row. We infused the pizza with heat and crushed red peppers, ate it, and hibernated for the next several days, having taken in enough deliciousness to simply rest in contentment.

The next package came on Friday, this one considerably larger and clearly containing something even more awesome, since it had a physical presence that was difficult to ignore. "It must be Jess's wedding gift!" Anne said, and she attacked the taped center with scissors. Once she got it open, she began to jump and sing impromptu hymns to joy. We now have a fondue pot. Last night we found a can of Sterno, and tonight we will, for the first time in recorded history, melt cheese and dip bread and apples and broccoli into it in our very own home. We are sending a letter of thanks to the Swiss government for the invention of fondue, and another to Jess, for whom we have begun praying that he be accorded the status of a demigod. With this much deliciousness, I will no longer have to be awake more than two hours of the day, just long enough to enjoy the fondue.

I've spent almost the entire day at the library doing work. My bad dog allergy seems to be clearing up. My book dust allergy is reviving.

I've started work again after my epic month-long unpaid vacation. I think I'll be writing at least a bit more now that I'm back at what Kay once called an internet job. My break has been startlingly unproductive, even when I take into account two colds, a stomach flu and dog allergies. My exercise has faded into a memory, and I have grown outwardly. I have finished only one book, which was about 180 pages long. My German lessons have fallen a bit behind, which is particularly critical since I have to return it at the end of this month in order to get a refund. More regularly, I have passed from one obsession of old English plays to another, Roman history, and right back to not caring about much of anything.

Also, Buffy.

Laura's dogs are bad dogs. I tell them often, such as when I come into the house and they jump on me and bark bark bark bark bark bark jump bark and then start chasing each other and barking and whining. I tell them in the morning when they wake me up three times even after Anne has fed them and I tell them they're bad, because they're bad. I don't like the dogs. I want to set them on fire for the heat. Also, they ate my slipper, and Anne's boot, and a box of cookies, two boxes of cereal, a bag of cashews, a box of pizza with green chile and pepper (and the packets of straight hot pepper, and the container of marinara sauce), and the fourth season of Buffy. I tell them they're bad.

Also, I don't like them because they are loud and big and ugly and they smell bad and I don't like them. Well, they're sort of cute, they're just also bad. Especially Rosie and Charlie, they are extra bad. Plus, too, also, they hump each other a lot.

This New Years I have resolved:

1. to eat less puppy meat
2. to be even more like Werner Herzog than I already am
3. to clean up the crumbs that are always falling from my pant legs onto the street
4. to shave less, and jump on the bed more
and finally,
5. to finally beat the first Zelda

Laura offered to have us housesit for her, so we went to learn how to take care of her animals. None of them are as needy as Tesuji, except for the dogs. They tried to give away one of the dogs, Rosie, three times, but she keeps coming back. She is an alarming combination of puppy and train, with the energy and interest in humans of the one, and the massive force onslaught of the other. As soon as the dogs were allowed inside, Rosie ran to each person in turn and jumped onto them with her front paws to sniff their faces. We were standing in a little hallway between three rooms, so Rosie had to make use of every inch to wriggle and turn from one person to the next. The other three dogs wanted rather than demanded attention; they rubbed legs and chased each other, and sometimes they shuffled over to their water bucket to slop some up. If not for Rosie's intense sniffing and slam dancing, the dogs would have seemed normal. Before Laura put the dogs back into confinement behind the office door, she asked us if we wanted Rosie, just in case. Even if I wanted her, I'd be afraid that she'd eat Tesuji like she killed and ate one of Laura's chickens.

For the next couple of hours, while we made a gingerbread house with Laura's children and Kay, the dogs scratched at the office door and howled as though there was a beast after their lives. Laura's five-year-old, Zeb, sprinkled gummi bears on the roof and sides of the house with enthusiastic determination, until they had overtaken the structure. The seven-year-old, Sadie, rammed twizzlers through the windows like a fallen tree. In a sick twist, the manufactureres had added sugar people, a grandmother and two children, to watch as their house was demolished. Anne took particular pleasure in describing the carnage and got Laura's husband Paul to take pictures. She wants to get another house and a video camera to more thoroughly present the tragedy of the grandmother. Shots of monster hands, walls being torn away, and that sugar face staring up at the sky and smiling.

We are goiong to the got to sushi and we eat it in Albuquerquteead. There is the rtsulshsi in there. LI I get some too with the sucashi.

We are goiong to the got to sushi and we eat it in Albuquerquteead. There is the rtsulshsi in there. LI I get some too with the sucashi.

This is content. SCoTt has an elfin FACE. Anne is absent and probably p. p. I just watched the Fall. The Fall. SchTt hasf ne elfinf ACE. ANnnnnne elefant face. Elephant?

I am now winnning thee ellecshun. Peeple frum all over thisgreat nation are voting for mee! I am winnning all of the vots.


Thank you forr yore support.

There is a rat in the wall in the back room of the library scratching out a message in Morse Code. The message warns me of danger. There may be a flood; at the least, a hard rain is going to fall.

I have been reading a book about Gershon Shofman for several days. It seems to be one of the few traces in English of Shofman, who wrote Hebrew short-stories from the early 1900s until the 1960s. I found Shofman's name in an introduction to Knut Hamsun's Hunger, where Issac Bashevis Singer lists him among about ten authors of modern fiction who Singer claims were strongly influenced by Hamsun. I have yet to find any credible evidence of this influence, but looking the authors up has introduced me to people of quite different talents, and also led me to question my abilities to tell a story. These men each told hundreds of stories about people doing everything people are capable of. Sailors play impromptu surgeon at sea and kill their patient; a man whose wife left him while on a honeymoon in Italy kills himself; victims of a plague in a small mountain village amass in a church where the impious mock them; a Russian Jew living in exile in Vienna fears violence from his fellow exiles when he roots for a Russian boxer. I'm afraid that I don't have any stories to tell, and that if I were to write, very little would happen. I have a mundane mind and a static life, where the main elements are simply boring: steady employment, books, colleges; steady employment among books in a college; frequent oversleeping; a collection of idealistic friends, among whom only Steven does anything particularly unusual. I'm not oppressed and I'm not powerful. I have few connections with the world, and I often don't believe that I understand the world. I feel like I would have to find something exciting to write about with any conviction, but nothing is ever in my mind. Mind, why are you so empty?

Today Heather, the Technical Services Librarian, showed me the end result of cataloging, where we take the records we have created and import them into Horizon, the library program used for checking books in and out and as a database for searching.

She was hesitant to come out of her office, as she doesn't like the public. I come into work earlier on Mondays specifically so that our schedules overlap and she can help me with cataloging, but either Laura or I has to get Heather and tell her that I still need instruction. Last week she didn't leave her office. Today I asked her to come.

Once she got behind the circulation desk, she carried a Johnnie chair over to my computer and showed me the steps for importing. Neither explaining nor listening were problems for her: I was able to follow everything she said, and she had relevant replies to my questions and comments. I knew by her pause as I readied a pen to take notes that she interpreted my actions appropriately. An observer might have thought that she was perfectly comfortable. Little things, though, showed that interaction itself was fearful to her. When I spoke, she sat far back in her chair and half-flinched, almost as though she wanted to escape. She continued doing small steps on the computer without any comment while I was turned to help people who came to the desk. Her eyes seemed more active, her hands surer, when she was looking at the computer screen and typing, or manipulating one of the books I had cataloged. Aside from a few small jokes said almost as though for herself, she directed all of her attention to explaining the main task; when I asked questions, she answered them directly and then picked up where she'd left off. She spoke of nothing extraneous, and filtered my presence in such a way that she would be able to respond only to my interest in cataloging. Whatever I said was stipped of color, implication, and alternate directions, and analyzed only for what related directly to cataloging. For her, my role was cataloger and nothing else.

When she was done explaining, she picked up all of her things and went back to her office, and soon after went home. I tried to import some more records after she left, and got stuck on a single point which I was unable to figure out in an hour and a half of experimentation and coaxing of the computer. I tried all the rather few options, looked over my notes, searched my memory of what Heather had said and done, and still couldn't figure out how to proceed. My actions were muddling up the Windows files, and I started to get scared. I had broken Horizon! Eventually I figured out what I had done and managed to import the records in a different way, but I still couldn't figure out what the proper way was.

Two student workers showed up when they were scheduled to, and I decided to leave the computer and move on to a non-desk job. My new task was to spot-check the students' shelf-reading, simply making sure that they had placed all the books on the shelves in the correct order. I started looking at the call numbers, and found that without transition, I felt depressed. I started wandering what the point of this work was, and couldn't see why I had been happy about life just a bit earlier, had been excited about such futile little things like the books I planned to read, the German language.

I examined myself and realized that even so small a failure as not being able to import catalog records was enough to puncture my sense of self-worth. This realization stopped my thoughts from swirling, but I still felt hollow inside and near tears; I was able to laugh at the absurdity of this condition, but I couldn't change it immediately. I wanted control over that computer! I wanted its functions and operations to accord themselves with my will! My inability to control it was like a crack in the foundation of my mind, which caused the superstructure, my priorities and my self-image, to lilt and waver. Only my self-control prevented the whole tower from collapsing. Because Heather was no longer there, I could get no resolution, and even though I tried not to think about the problem, the mood lingered. I wonder if I'll dream about this later, and I wonder what the computer will represent.

We were awoken by a phone call at 8 o'clock one morning; we let the answering machine pick up. Michael's voice said "Leave a message for Anne and Greg after the beep. If you're calling for Ted and Michael, you can reach them at . . ." Then we heard our landlady saying, "I'm calling to let you know that I'll be coming to the house on Wednesday around 9:30 with the plumber to look at the hot water heater. I don't think I'll have to come inside." In the silence that followed her voice, the pale morning sun, usually the sign that we could sleep for several more hours, was suddenly hostile and ominous. Would we have to wake up into this sunlight before she came, or could we stay in bed and hope that she didn't enter the house? The situation seemed unreal, uninterpretable, incommensurable with our lives. I fell back asleep and when I woke up, I was reminded of the call by the message that had been left on the answering machine. I still couldn't incorporate it into my expectations for the future. How could anyone come into the house at 9:30 in the morning? It was like living under a totalitarian police state. I couldn't conceive of having to get up so early, and as a result, I didn't think about it and acted as though it wasn't going to happen. I went to work as normal, and went to sleep at my usual late hour (around 5 a.m.)

The next day, Anne had set the alarm for 8:30. We sat in bed for a while listening for the landlady and waiting for her to be gone. Around 11, I asked Anne if she wanted to go to the Farmer's Market. We weren't sure that it would be safe to leave the house, but when we opened the door there was no one there. We went and got delicious food.

We got another early morning phone call the next day, on the prophesized Wednesday. The machine spoke to the silence of the hollow room at that ungodly hour of 8:30: "Hello, Anne and Greg. Actually the plumber and I will be coming into the house after we look at the hot water heater, so that we can check the gas heater, that little thing in the corner, for carbon monoxide emissions. Also, if it's not lit, we'll light the pilot, or else turn it on low. It won't take more than half an hour, I don't think. I'll be over soon. Bye." Dust began to settle over the horrible words; Anne and I strained our eyes against the sunbeams pouring in from the skylight and tried to make sense of the situation.

"Why is she coming today?"

"I think I remember now, she said Wednesday in the first message."

"What should we do? We can't be in bed. And what if she sees the cat?" We never told the landlady that we had a cat.

"We could put the cat in the car, and all of her things under the bed, and just go driving," I said.

"Why does she have to come into the house? Goddamn."

"I don't know."

For the next fifteen minutes, we descended chaotically upon the mess all around us like lazy maids a few minutes before the master was due home, sweeping up leaves and kitty liter, washing dishes, packing cat-care items and mice toys under the bed. It was 8:57. "The cat carrier!" Anne flung a chair into the bathroom and stood on it to open the storage closet that's in a wall recess above the door, and I arranged the bedclothes so that they covered what was beneath. We then persuaded Tesuji to get into the box, with the rhetoric of our pushing hands. There was still a huge pile of clothes, overflowing from the hamper. "I guess we could do this while we're waiting," I said. I lifted the hamper, Anne grabbed some snacks, and we fled with the laundry and the cat, locking the door behind us. The sun had an evil brightness so early in the morning, and the air smelled busy. We went up to campus to start washes, and on the way we noticed a little strip of a park along Old Santa Fe Trail with a long, columned wooden shelter and benches sitting among an expanse of chimisa, dust and Birch trees. I parked by the laundry room in lowers and we brought the two hampers down; then we realized that we hadn't brought the detergent. The laundry went back into the trunk, and I moved the car to my library spot. Not having anything else to do, we browsed the bookstore for about an hour and then returned to the car, where the kitten was mewing in confusion.

"I hope they're gone. It'll be 10:30 when we get back." But when we pulled up to our street, we saw an telltale white van parked in front of the mailbox. We couldn't get our detergent, because it was in the house. We decided to go buy some at Albertson's. Tesuji cried softly.

"She doesn't like it in here; she must be hungry. Poor Tesuji."

"Maybe we could get her some food and let her outside in a park."

So we did. I drove to Albertsons, where we bought detergent, two cans of wet cat food, a collar and a leash, and then we went back up to the park we had seen. In the parking lot, Anne attached the collar and the leash, and we took Tesuji for a walk over to the first bench beneath the shelter, where there is long pathway bathed in shade. We let the cat down onto the ground and watched as she shivered for a bit at the car noises, and settled in to investigating as she calmed down. She sniffed the ground, lingering over the first small plant she came to, and then started circling around chewing on beech bark that lay in the gravel. A white-haired man walked by, carefully stepping around us and smiling down at the cat. Tesuji started to get more bold, and all the leash could do was restrain her, so we sat on the bench and gave Tesuji her food. She stuck her nose in the can and greedily swallowed what was inside. As she sat licking herself, I wondered if she needed to relieve herself. "This whole place is made of kitty litter," Anne said.

I shifted the dirt beneath my foot. "Maybe she'd like something softer, though."

"You could try over there, by the weeds." I took Tesuji to a patch of more sand-like dirt by a large growth of weedgrass further back from the road. Tesuji sniffed a bit and then wandered off toward a nearby bush. I picked her back up and we went back to the car, drove to campus, and started a wash. The white van was gone by the time we got back to the house, so we let Tesuji roam free once more over the mountainous chairs and the pool of comforter and sheets.

Two days ago Anne and I were sitting on the bed reading at about 2 pm. It was a bright, warm day, one of the rare days lately without precipitation. We had woken up only a few hours before, and once we felt like it, the plan was to drive up to the Ski Basin to look at the trees turn, as Kay had suggested to me. There is fall even here, for those of you who don't know. Anne and I were both just finishing up chapters, about to shower, when we heard a woman's voice through the window shouting "Get off of me! Don't touch me! Get off!" Her voice was full and loud, but she sounded more annoyed than distressed. She was maybe two houses away. "Don't touch me. Oh my God!" She said this last almost like a valley girl, but at a full scream. Maybe she was three houses away; maybe she was the next block over. There was silence, and then she shouted, "Somebody call the police! Don't touch me! Get off me, you jerk!" Anne looked at me. I went to the window to see if I could get any more information, but the situation wasn't any clearer. Anne picked up the phone and dialed 911. She told the dispatcher what was going on as best she could, laughing nervously the whole time because of the uncertainty. What was going on, to whom, and where? Was time running out or wasn't it? What would the police even do when the got here? She didn't know what to say when the dispatcher asked for an address, so she gave them ours and said we didn't know just where the screams were coming from. While she was talking, I ran to all the windows to see if I could tell any better; I could see nothing but the neighboring houses, silent and unmoving. Anne hung up and said the distpatcher told her that someone else had called as well, but she didn't know if they were sending the police or not. We still heard a few screams, still sounding intensely annoyed, perhaps fearful, and saying the same things, with no other person's voice accompanying it. I have no explanations that make any sense. My only thought, and a pretty unlikely one, is that the neighborhood retarded kid had grabbed on to some stranger woman and wouldn't let go, but that doesn't work, as it would most likely happen in the street, where someone close to the scene would soon have come to help her; and for which she probably wouldn't have asked for the police anyway.

Since she was still shouting, if seemingly without much fear, I wondered if I should go out and try to help. I was still in my pajamas, but maybe my presence would scare off whoever was doing . . . something . . . to someone . . . somewhere. I reached for my pants and asked Anne. "What would you do if you went outside?" "I don't know." I put my pants down, but I felt paralyzed and thoguht that I was failing. I wondered if anyone else on the block was trying to help. The screaming came less often, and I didn't know where to go, so I stayed in. A few minutes later we heard police sirens, and then the sounds of an ambulance, winding around the community trying to find the woman. We no longer heard her voice. After a while, the sirens stopped and the afternoon was quiet again. Anne and I went up to the ski basin, and the trees were beautiful.

I spend a lot of time wondering what it would be like to be another person; sometimes a certain person, often just another person per se. I'm happy to be who I am, but all the same, I'd like to know what it means that there are all these other people. Why do they have habits and tastes that are different from mine? What are their thoughts, and how do they think them? Why do other people consider something to be good when I don't, and is there any ultimate meaning in this difference? I think my anxiety and constant confusion about the creative process has the same source as these questions. What is the state of an artist in the moment of creation? What makes another person say things I don't say, and do things I don't do?

This thought often turns into an attempt to understand personality. Laying aside the question of the origin of different personalities, which is enough trouble, I want to know what a personality even is, and just how they differ from one another. Do people with different personalities have different feelings and thoughts? Is the bearer of a different personality really different from me, or similar in some crucial way? Do they have a different consciousness? What experiences of life do other people have, and would I recognize them if they could somehow be presented to me?

More than I want to get to know other people in the convntional sense of that phrase, I want to know other people absolutely, the same way I know myself. I don't want to use this knowledge, as is implyed to me by the phrase "get into someone else's head", although I often use the urge as an impetus in fiction writing. The conception doesn't appeal to me for the purpose of greater compassion for others, although I am often lacking in compassion. I just want to know. I feel as though this knowledge would bring me a sense of completion and satisfaction beyond anything else I have experienced. When I dream, I think I get something of it, and that may be one of the reasons I like sleeping as much as I do.

I don't know if what I'm describing is unique, or even uncommon. I have rarely seen this feeling expressed, and yet I doubt that it is special in me. If anyone would like to join me, please let me know. I'm open to a meeting of minds.

WATCH OUT, SCOOTER

Tonight a man came up to the desk, stood in my peripheral vision and called out, "engarde". From his voice and a brief glance, I knew it was him, so I ducked behind the desk and grabbed a pair of scissors. He disarmed me by saying, "hey, none of that, now." I stood up. Blake greeted me with a firm handshake one-arm embrace combo, and said, "you stole my job."

He was wearing a thin, grey wool two-piece suit, with a tucked-in shirt and leather shoes, all well fitted. He's growing a beard, which has come in thinly but fully, and is closely groomed. His hair was controlled, parted in the middle, of medium length. He has glasses with light-colored frames. He is small, trim, and erect. He comes off as a handsome young scholar, which I suppose he is. He's just moved in with a girl named Chelsea who graduated last year, and whom I know only from my precept on Willa Cather. She's about his size, also blonde, thoughtful and sharp; she stayed rather quiet in class, and seemed like an interesting personality.

Blake invited me to a dinner he was planning for all the members of our class who were still around, and we exchanged phone numbers. Upon his request, I gave him Scott's phone number as well. Then he described how he got mugged back in March, ending with the words, "I've been thinking about it a lot. Next time I'm going to tackle the guy, even with the heavy back pack, and then kick his ass." After that, he showed me how to use a credit card to pick a lock. As he was leaving, he saw an LP of Kind of Blue and asked me to check it out t0 him. "Put on a little music as I put some moves on my lady," he said, walking away.

In Maryland I was oppressed by the looming presence of my parents and the constant reminder of my own childhood. Their tastes hang over the whole house, and you can see them even from the outside.

My mother's failed sense of presentation is apparent: the inaptly placed flower garden and the small gnome at the end of the driveway.

There's Jeff's lingering embarrassment: that red Honda on the edge of their curb, parked nearly all the time.

You can see my father's distance from people: the pathway leading to the front door, which is obstructed by propane tanks.

Inside the house are floral-patterned living room furniture often covered during the day by baskets of clothes taken out of the dryer, in tribute to my father's militant wash schedule; and at night by my prostrate mother, generally with Mulder on her stomach. A vacuum cleaner sits in front of the hearth (which they call a fireplace) on most days, and the table against the wall is taken up by detritus from my mother's job.

The dining room has fruit wallpaper and a flimsy dinner table they've had as far back as I can remember. Jeff always sat against the wall at dinner, and my mother often said to him, "you look good against that wallpaper." She took his picture there many times. In every picture, he's crumpling his face to try to get a laugh. I wouldn't say that he looks especially good against the wallpaper.

The kitchen recently received a Thing in the middle of it, a hundred-pound wooden piece with a large cutting-board surface and numerous small drawers along the sides. The oven and range-hood are a deep black, the counters are white and have a faded color pattern, and the refridgerator is gigantic.

In all three of these rooms, the reigning decorative style might be termed Cluttered Ugly Things.

My mother's bedroom used to be Eric's bedroom, and the mix of their decorations was confusing for me, psychically. My father's bedroom is more austere, and even has a small feeling of solemnity aided by dim lighting and copious dark wooden furniture. The basement is centered around technology: the computer, the television, and the washing machine. Off to one side is the room Jess dubbed the "Bourgeois Bunker"; on the other is Jeff's childhood room, where twenty-six-year-old Jeff still lives, a child.

I felt at home here, but never free. Every room was a reminder of my parents and my childhood. Worst was my own room, so small, full of everything I had accumulated. I tried to re-arrange the room every season, and it never felt right, whether my bed was against the side wall or by the window, a nightstand present or not, my CDs displayed or in binders. I had a television that I rarely used anymore, but whose blank face stared at me all night. My shades were usually drawn, and when they weren't, I had a fine view of the overgrown bushes in front of the house. My bookshelf contained a small library that I found always unsatisfying. My closet opens into the attic.

I could never fully become an adult in this house. I was always reminded of myself as a teenager, all my old habits and thoughts. My parents treated me kindly, for the most part, but their earnest instructiveness and constant attention drained me. The fact that they paid for everything meant that I didn't have to figure out how to do it for myself. Their too practical minds often clashed with my speculative thoughts, and made it so that their advice was always questionable.

My mood in Maryland was winter: my passions were cooled, my habits frozen in place. I could produce no new shoots, and the old dead ones stayed around to mock me.

Here, everything is new and under my control. Anne and I can order our lives and our house as we wish. I have enough time to read, write, and learn German. My job has considerable variety and autonomy, and very little supervision. New Mexico has elaborate skies, rolling land, intricate plants and insects, and beauty. I am working on making my life.

The owner of the guest house we are soon to be subletting called me on Monday night to say that his plans of moving out by Tuesday morning had been postponed because of a flat tire and an unexpected amount of work. He said he'd reimburse us the 20 or so dollars we paid him for that particular day, and told me we could move in on Wednesday. This took him about ten minutes to get out, and it seemed after every sentence that he wanted some prompting. Whenever I said anything, however, it seemed like there was a note of distress in his voice, as though I had made a faux pas. This has been the nature of our conversations since the first time I spoke to him in early August. When we met him, we saw his even more unsettling face, the gray skin of which looked stretched and bony, with deep pools for eyes and compact, off-color lips, all under dry looking, short black hair. As Kay aptly pointed out, he is a David Lynch character.

After he was done telling me that we couldn't move in yet, his partner came on and, in a slightly less creepy but even mroe rambling manner, gave me a quick tutorial on the gas heater. "Good evening. How are you doing? Good. First, I wanted to tell you that I'm leaving a phone number for the plumber on the table here. Also, I wanted to tell you about the gas heater in case you never used one before. There's a spigot on the wall next to the heater, and it has to be turned either perpendicular to the wall to turn on the gas, or . . . have you ever used a gas heater? There's something called a pilot light that you have to light to engage the gas, and it needs to be lit before you turn the spigot. But you turn the spigot and it allows . . . it allows the gas to flow through the pipes and into the heater, and then if the pilot is lit, it engages the gas and the flow of gas heats the house. So, you turn this spigot ninety degrees, until it's perpendicular to the wall, and that turns it on. And, have you ever used a gas heater before? Probably it would be best to ask someone who has previously turned one on to come over and help you when you decide to turn on the heater. So, when you start having chilly days and you say to yourself, 'Hmm, I'd like to have the heater on,' you can know how to turn it on, rather than waiting and suddenly it's December and you don't know what to do. We leave it off during the summer months because even the pilot produces some heat, you'd be surprised, so we turn that off and it isn't on right now. And because there is some flow of gas, when the pilot light is on, it needs some gas to be flowing to stay lit, which is of course a nominal expense, but it is an expense. So, actually, I've never turned this particular heater on, and it isn't easy to describe the process over the phone, so maybe you can get someone who knows how to do it. Or you could even call the plumber, because I'm leaving his number on the table for you in case you need it. But, I hope you enjoy your stay here. We've had some marvelous summers here, and it's very nice, and off the street, and quit. The only time it isn't is when the neighbors sometimes have parties, just occasionally. But I hope you enjoy it here, and have a nice year."

We camped out in the library last night, with the library director's permission. She said that we couldn't turn on lights after dark except with the shadess drawn in the office of the Circulation Librarian, Laura Cooley, where we were to sleep; also, we could not have guests. We took two cushions from the couches, two pillows, and a blanket, and slept beneath Laura's beautiful ceiling with its endless expanse of stars and galaxies. Today, finally, we should be able to move in.

I see that I never wrote that description of Promissor. I should write that description of Promissor.

Anne and I finally saw the place we're subletting, and it looks wonderful: set back from the road, cozy and furnished, with a tree it's our duty to water and walls we can lock to repel intruders. We're still staying in the hotel, because the owner doesn't move out until Tuesday.

I write this from the Santa Fe campus library, where I once again work. I think I'll be very happy here. I always wanted the knowledge and responsibilities that I now have as a supervisor, and the position will give me a chance to figure out what it means to have moved out.

I've been given the first task of making sure that all the students who graduated or withdrew have been removed from the database. It's a good way to catch up to the school since I've left, to see everyone who has already left and those who have registered as alumni borrowers and whom I thus run the risk of seeing again. I especially like being able to see what books everybody has checked out. I could do this as a student as well, but now I can also add or remove fines or delete accounts. Oh, the power.

Anne and I went for a walk in the foothills yesterday, and I remembered what it's like to be in the high desert. My perspective has improved since I was here last. I more fully appreciate the beauty of the landscape, the variety of plants in their weird shapes and colors, the ever-changing sky, and the solitude. Everything seems familiar, and yet I notice now that I come back how it all has more depth than I thought when I was a student here.

This is the first time in a month and a half that I've been separated from Anne for more than twenty minutes. I feel like something critical is missing, like my glasses; or perhaps as though I forgot to wake up. She's looking around town to apply for jobs, and she has no phone. I wish she were still here.

Life is not fixed. None of it is solid at all, and the slightest wind can blow anything away. I learned this more every day as we travelled west, through lush eastern forest to rolling hills and farmlands of Tennessee, to the broken roads and dirt piles of Arkansas, the imposing sky and flatness of Oklahoma, and finally the desert nothingness of the Texas panhandle and the mountains and dust of New Mexico. Now that I'm here, I see that more even than I thought at first is transient and fluid. And yet there are patterns in the chaos, and principles to which a strong personality can hold.